Microphones
BRÜEL & KJAER/DPA:
4006 [7], 4011 [6]
MICROTECH GEFELL:
MV692 m71 [3], um70 [1], m221 [4], m930 [4], m300 [3]
NEUMANN:
KM83 [2], KM84 [4], KM140 [6], KM143 [8], KM150 [2]
KMR 81i [2]
TLM49 [4], TLM170 [7]
SANKEN:
CS1e {2}
SCHOEPS:
CMC5u/6u with MK2 [5], MK2s [3], MK4 [10], MK8 [4]
RC1200 [6] & RC700 [6] discrete ‘gooseneck’ stands
SENNHEISER:
MKH800 [7], MKH80 [3], MKH20 [2]
UNITED TECHNOLOGIES:
UT FET 47 [3]
Recording Systems
MERGING TECHNOLOGIES:
120 channels of mic pre-amps/AD conversion
HORUS [3] - 40 channels Each
HAPI [2] - MADI & Pro Tools connectivity
ANUBIS [4]
PYRAMIX: Masscore Record Machines [3]
PYRAMIX: Native Premium [1]
AVID: S3 Control Surface + Artist Mixers
BRICASTI: M7 Reverb
ARTEL: Quarra Network Switches [4]
AUDIO & DESIGN RL: Syncrogenius HD Pro
TIMECODE SYSTEMS: UltraSync One with SyncBac for GoPro
EDITING/MIXING SYSTEM
MERGING TECHNOLOGIES: HAPI [3] - 16 Outputs for Dolby Atmos Mixing (7.1.4) with ANUBIS [2] for monitoring control
PYRAMIX: Masscore Premium
ALGORITHMIX: Renovator (Noise removal software)
CEDAR: Re-touch (Noise removal software)
CELEMONY: Melodyne (Tuning software)
ZTX: Tempo & pitch shifting software
AVID: S3 Fader Control Surface
BRICASTI: M7M Reverb [3] + M10 Controller
Speakers & Amplifiers
DYNAUDIO: Contour 60i [2], 30i [4], 25Ci [1]
BOWERS & WILKINS: 804s [2] & 805d [2]
FLYING MOLE: Class-D Amplifiers [11]
NORD ACOUSTICS: Nord One MP NC252 8-Channel
GENELEC: 8010a [6]
DA Conversion
BENCHMARK: DAC3 DX [2] & DAC1 [3]
Headphones & AMPLIFIERs
BENCHMARK: HPA4
FOCAL: Clear Pro [1] & Clear Pro Mg [2]
SONY: MDR Z1R [2]
SENNHEISER: HD600 [2]